• Horror

The Good, The Bad and The Bloodthirsty : The Four Horsemen

Four Native American vampires ride into an Old West town to reclaim their legacy in this action-packed gothic western.

• Horror

The Jettison

A scientist searches for his lost daughter in a wasteland at the end of the world, but finds that she isn’t what she seems. This is a horror film about AI, made using AI. It is also a homage to Chris Marker’s La Jetée. Here a different kind of post-apocalyptic future is explored: a haunting vision of a world in which machines now control everything, including our memories and our dreams. When a giant solar flare destroys all the machines, this dreamworld is completely shattered. Roth tries to piece things back together and deal with his grief.

• Horror

Fear Of The Dark

"Fear of the Dark" delves into humanity’s primal fear of the unknown, a theme that transcends time and culture. The film explores the symbolic significance of darkness in the human psyche, merging ancient mythological archetypes with modern existential musings. Drawing inspiration from the writings of Joseph Campbell and Jungian Psychology - the narrative weaves together rich, symbolic storytelling with the my own personal philosophical reflections, creating a visceral meditation on dreams, nightmares, and the shadowy corners of our collective consciousness. Through a meticulously crafted visual language, the film immerses audiences in a hauntingly beautiful dreamscape where the veil between reality and the subconscious dissolves. Employing chiaroscuro lighting techniques reminiscent of German Expressionism, the cinematography juxtaposes light and shadow to evoke a sense of both wonder and unease. The AI-generated visuals evoke surrealist aesthetics, blending hyper-realism with abstract, fluid transitions that mirror the fragmented nature of dreams. With a structure that oscillates between lucid narrative threads and fragmented, dreamlike sequences, "Fear of the Dark" challenges conventional storytelling. The film’s pacing is intentionally rhythmic, alternating between slow, contemplative moments and bursts of intensity to mirror the ebb and flow of the human subconscious.

• Horror
• Drama

Cendres (Ashes)

What is left of the witches that were burned? What lies behind a word that is often used in a banal way? Witches have nourished the audiovisual imagination with stereotypes that rarely resemble the women who died under this accusation. Humble women, some dissidents, and often slaves of the new order that was built to stay. ‘Ashes’ explores the video-to-video technique in a piece that confronts stereotypes through the claim and the spell: say 'I'm a witch' three times and you'll be a free person. Do you dare?